I invite you to view my professional Portfolio of Fine Art Paintings. One of my most important principles is an open dialogue between form and color in all aspects of my work. See my work to see for yourself and contact me for more information.
PAINTING CYCLES
"Just as a flower grows from a plant, a work of art should naturally arise from a human being"
– Witkacy
I trust the ambiguity of the message, which simultaneously achieves harmony and unity. The image has a given moment, which is the beginning, then the artist takes it through the moment of creation, and then the apparent ending, so that finally the image changes its meaning regardless of the creator - it allows itself to be embraced by the viewer, who gives it subsequent meanings.
Art Search Engine
Why am I painting?
I paint to give vent to overlapping thoughts, colors that often delight me, I love leaving a mark on the canvas and surprising myself with new solutions. The creation of a new object that gives vent to my emotions is probably the greatest happiness that fate has bestowed upon me. My impatient temperament is mixed with discipline and conscientiousness.
ARCHIWUM
“looking at their paintings, one is just as out of life
and death, beyond happiness and misfortune,
in a detached world of absolute beauty” – Witkacy
Working on a painting must be an effort, because only when the whole person is completely involved in the creative process, great works can be achieved. An artist must give himself completely. Paintings of Pure Art are created by trying to find harmony, find peace in chaos, find a way out of a problem, understand something in something seemingly incomprehensible, create something seemingly illogical, and despite its indeterminacy of criteria, logically beautiful.
Praca nad obrazem musi być wysiłkiem, bo tylko zupełne wciągnięcie całego człowieka w proces twórczości daje wielkie dzieła. Artysta musi oddać się cały. Obrazy Czystej Sztuki tworzy się próbując znaleźć harmonię, odnaleźć spokój w chaosie, odnaleźć wyjście z problemu, zrozumieć coś w czymś pozornie niezrozumiałym, stworzyć coś pozornie nielogicznego, a mimo swojej nieokreśloności kryteriów logicznie pięknego.